Review: ‘The Green Knight’ is the New High Fantasy Exemplar
Review: Sparks have Earned their Cinematic Debut ‘Annette’
ReviewMegan BernovichReview, 2021, Megan Bernovich, Sparks, Leos Carax, Adam Driver, Marion Cotillard, Simon Helberg, Annette, Ann, Musical
Review: Creature Comforts and ‘Pig’ in Michael Sarnoski’s Debut
Sundance Review: ‘Try Harder!’ Exceeds Expectation
Review: Chipping Away the Hard Shell of ‘Ammonite’
TIFF Review: The Residential Monument of ‘City Hall’
TIFF Review: ‘Fireball: Visitors from Darker Worlds’ is an Enlightening Expedition
TIFF Review: ‘Wolfwalkers’ Brings Folklore to Life Through Traditional Animation
NYFF 58 Review: Exploring Inward and Outward in ‘Nomadland’
Review: 'First Cow’ Rewrites the Aesthetics of the West
SXSW Review: 'Once Upon a Time in Uganda' Pays Tribute to the Home of Da Best of Da Best Movies
SXSW Review: 'Feels Good Man' Offers Contemporary Lessons in Semiotics
Review: Sublime Female Vision and 'Portrait of a Lady on Fire'
Review, Editor's ChoiceMegan BernovichPortrait of a Lady on Fire, Celine Sciamma, Noémie Merlant, Adèle Haenel, Neon, 2020, Review, Megan Bernovich, Editor's Choice
Review: ‘Cats’ is Just the Betrayal of Artistry We Were Hoping For
ReviewMegan BernovichTom Hooper, Francesca Hayward, Jason Derulo, Judy Dench, James Corden, Idris Elba, Jennifer Hudson, Ian McKellan, Taylor Swift, Rebel Wilson, 2019, Cats, Megan Bernovich, Review
Review: ‘Atlantics’ Captures the Concept of Soulmates
Review: ‘Crawl’ is the Relentless, Extraordinary Creature Feature of My Dreams
Review: ‘Ophelia’ is an Exercise in Feminist Revisionism
Review: Florence Pugh is a Dazzling Goddess and Also Some Thoughts on ‘Midsommar’
