If you’re anything like me, you might have slight list fatigue; 2022 ended with Sight and Sound magazine’s once-in-a-decade poll of the best films of all time, which meant months and months of film writers getting philosophical about lists followed by fierce online debate about whether its winner was a worthy one. (New Year’s resolution: spend less time on Twitter.) Only time will tell if any of the films I’ve chosen below have what it takes to crack a future version of the Sight and Sound list, but for now it’s enough for me that I loved them all.
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If 2020 was the year of watching movies at home, 2021 was the year of the movie theatre. For me, it meant a return to two cinemas I particularly adore which provided a chance to catch up with favorites old and new. But as the year drew to a close with COVID-19 cases again on the rise in the UK, the bizarre question of whether I should be going to the cinema again weighed on my mind. And so, it was another weird year for movies and moviegoers – but far from a bad one. The difficulty I had in putting this list together is testament to the fantastic quality of films released in the period; any year in which sublimely sweet works from Paul Thomas Anderson and Céline Sciamma didn’t make my top ten is surely a good one.
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This last year I’ve needed movies more than ever, and I’ve also noticed a few interesting effects that 2020 has had on my film-watching habits – aside, that is, from the fact that I saw none of the movies on this list in a cinema. With most of 2020 spent locked up indoors, I started relishing the little incidental bits of audio-visual information that graced my screen. At the same time, the dismaying responses to local and global political circumstances have only intensified my desire for a cinema that is both attentive to the realities of everyday life and critical of the various systems that govern our lives, and I think the films I’ve designated as my top ten of this year reflect that.
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