Review: The Sweet Taste of ‘Licorice Pizza’
Review: Disney Staples Make 'Encanto' A Standard Animated Outing
Review: ‘Eternals,’ A Disaster of Cosmic Proportions
Review: Passive Entertainment with Contemporary Giallo Ambitions from ‘Last Night in Soho’
NYFF 59 Review: We're All 'The Worst Person in the World'
Review, Editor's ChoiceGreg AriettaNYFF, Review, Greg Arietta, 2021, NYFF59, Editor's Choice, The Worst Person in the World, Joachim Trier, Neon
NYFF 59 Review: ‘The French Dispatch,’ Wes Anderson’s Ode to The New Yorker and Print Journalism
NYFF 59 Review: Panah Panahi Synthesizes Both Familial Drama and Comedic Levity in ‘Hit the Road’
NYFF 59 Review: Flesh, Motor Oil, and Requited Love in Juila Ducournau’s Carnal Sensation, ‘Titane’
Review: High Flying Kicks, Same Old Punches for ‘Shang-Chi and the Legend of the Ten Rings’
Review: ‘Nine Days’ Scantly Assesses the Value Assigned to Living
ReviewGreg AriettaGreg Arietta, Review, 2021, Nine Days, Edson Oda, Winston Duke, Zazie Beats, Bill Skarsgård, Tony Hale, Arianna Ortiz
Review: ‘ Roadrunner: A Film About Anthony Bourdain’ Doesn't Meet the Stature of Its Subject
Review: ‘Army of the Dead,’ A Perfectly Serviceable Zombie Heist Action Flick
Review: ‘Love Death + Robots Vol. 2’ Continues Delivering the Goods
Review: ‘The Killing of Two Lovers’ Renders the Agony of a Tumultuous Marital Split
SXSW Review: Thirteen Tales for Chills and Thrills with the SXSW Midnight Shorts
ReviewGreg AriettaReview, Greg Arietta, 2021, SXSW, SXSW2021, Midnight Shorts, Joanne is Dead, Run That Shit!, Flick, A Puff Before Dying, Flex, Recklaw, Puss, The Thing That Ate the Birds, Significant Other, Don't Peek, Stuffed
SXSW Review: Making Friends with ‘Language Lessons’
SXSW Review: Feast on the Delights of High Fantasy in ‘The Spine of Night’
SXSW Review: ‘Alone Together’ with Charli XCX, Angels, and the Lockdown Album
