SXSW Review: Tales from the Cult of Adam Neumann in 'WeWork: or the Making and Breaking of a $47 Billion Unicorn'
Review: ‘Raya and the Last Dragon’ Replicates Tried and True Disney Platitudes
Review: ‘Minari’ Lays the Roots of the Immigrant Experience
Sundance Review: Edgar Wright Pays Tribute to Two Unsung Greats in ‘The Sparks Brothers’
Sundance Review: 'Land' Stares Void-lessly at Grief
Sundance Review: ‘CODA’ Deploys A Plot You’ve Seen Before
Review: Heroic Optimism Carries ‘Wonder Woman 1984’ Through the Finish Line
Review: Get Busy Living or Get Busy Dying with ‘Soul’
Review: Review: The Impression of Herman J. Mankiewicz in David Fincher’s ‘Mank’
NYFF 58 Review: Plights of the Rich and Irritable Come to Pass in ‘The French Exit’
ReviewGreg Arietta2020, Greg Arietta, Review, NYFF58, NYFF, The French Exit, Lucas Hedges, Azazel Jacobs, Michelle Pfeiffer, Imogen Poots, Tracy Letts
NYFF 58 Review: Let ‘Gunda’ Lull You Into Life on the Farm
NYFF 58 Review: Almodóvar’s ‘The Human Voice’ Runs the Emotional Gauntlet of Post-Breakup Sentiments
Review: Don’t Lose Yourself to the ‘Possessor’
NYFF 58 Review: Sofia Coppola Returns to the Father Daughter Relationship and Personal Insecurities in 'On the Rocks'
Review, Editor's ChoiceGreg Arietta2020, NYFF, NYFF58, Review, Editor's Choice, Greg Arietta, Apple, AppleTV+, A24, On the Rocks, Sofia Coppola
Fantasia Review: Get Your Thriller Fix with ‘Legally Declared Dead’
Fantasia Review: 'Crazy Samurai Musashi’ Grows Old Fast
Fantasia Review: Online Harassment Turns Deadly in ‘The Columnist’
Review: 'Boys State' Assesses the Entrenched Demagoguery of American Politics
